2014 was an interesting year of reading. While I haven’t managed to read as much as I wanted, what I’ve read has changed. A look at format, genre, price, and authorial gender and nationality.
Are genres gendered? Truisms like “women don’t read science fiction” or “men hate romance” abound, but to what extent do these sorts of assumptions determine what we see on the shelves? How have certain sub-genres become strongly associated with writers (and readers) of a single gender? What are the difficulties faced by a writer trying to work in a (sub)genre traditionally associated with a gender other than their own? What role(s) can publishers and booksellers play in creating, reinforcing, or challenging such bias?
Urban fantasy is a broad church. To some, it’s the genre of “Wizard of the Pigeons” and “War for the Oaks“; to others, it means Sam Vimes patrolling the streets of Ankh Morpork, or Locke Lamora conning his way through Camorr. Most recently, it has become synonymous with werewolves, vampires and hot detectives. What holds together the urban fantastic? Are different strands of the genre in conversation with each other? And how important is the influence of the stuctures and tone of other genres like crime fiction?