Fans of Charlaine Harris’s Sookie Stackhouse series may be interested in this one as Stein imagines Adele Stackhouse’s (Sookie’s grandmother) affair with Fintan, a fairy, written as extracts of Adele’s long-lost diary from that time period.
A great idea poorly executed.
On paper, the effect of this Returnee’s reappearance had the potential to be heart-wrenching as a 37-year-old man attempts to solve a life-changing dilemma: to continue with his present life with a wife and child, or leave them for his 17-year-old first love who disappeared, and was presumed dead, 20 years ago.
I really wanted to like it but the writing is rushed and choppy.
The Sparrow is a huge improvement over its predecessor The First. Whereas The First serves as an introduction to a world where the dead suddenly return alive, The Sparrow delves into the moral issues that arise from it. Are the Returned human? Are they still the people they were when they died? How is this possible: Is it magic or can science explain it? And do we sacrifice our humanity in seeking the answers to these questions?
Realistic portrayals of the bureaucratic response to an unexplainable event and the emotional turmoil experienced if you were to find out a dead loved one was in fact alive, drew me in as the scene was set for the rest of the series.
However, upon finishing, I was left feeling a mild mixture of indifference and curiosity, reminding me of the way short stories in anthologies are written; leaving what comes next, or reasons for what takes place, up to the imaginations of readers. Although the last sentence is ominous, indicating a not-so-happy ending.